I know exactly where my towel is. Happy Geek Pride Day!
Chelsea’s a ballerina (Taken with Instagram at Classical Ballet Academy)
A pet peeve of mine is when I’m sitting in a meeting and it’s gone off on a tangent and someone says “let’s take this discussion offline.”
“Offline?” We’re already offline. We’re sitting in the same freaking room, talking about it out loud! What they mean to say is “Let’s have a separate conversation about this outside of this meeting,” but I’ll admit that takes longer to say. It still bugs me though.
Notes from camping
I went camping with my monkeyboy this weekend and had a couple of thoughts I wanted to share as shorter points than weaving them into an involved narrative.
- Boys of any age prefer throwing rocks into water to just about anything else. We spent most of the evening this way.
- The monkeyboy asked me to tell him a bedtime story. Ironically, he asked for The Three Little Pigs.
- Knowing how to tie a taut line hitch well enough to do it in a freakishly strong wind storm at 2:45 in the morning is worth the practice.
- DAC Featherlite tent poles are absolutely worth the cost. More than a few people’s tent poles broke last night and mine are the same way they were before we went through the storm.
- Simply lying in your tent, yelling “It’s so windy” doesn’t do anything to help your tent weather the storm. Either get out and strengthen it with some more guy lines, take the tent down and get in your car (which is only 30 feet away) or stop yelling. Some of us could sleep through the wind if you’d stop yelling, dude.
- Kids won’t be any help because they’ll sleep through just about anything, and that’s alright.
- Camping is lots of fun!
No sympathy for the creative class
By Scott Timberg, salon.comTaxpayers bail out Wall Street and Detroit. But there’s no help, or Springsteen anthem, for struggling creatives
They’re pampered, privileged, indulged – part of the “cultural elite.” They spend all their time smoking pot and sipping…
In his book Creativity, Mihalyi Csikszentmihalyi said “Currently American schools try to save costs by eliminating instruction in the arts, music, athletics, and all other areas that the public considers nonessential. On the whole, however, trying to save by cutting opportunities for learning is one of the most benighted solutions a society can adopt. Perhaps only Jonathan Swift’s solution to the Irish famine is more objectionable.”
Playing with chalk in the backyard
Americana Lens, Ina’s 1969 Film, No Flash, Taken with HipstamaticHow We Will Read: Clay Shirky
I’ve been thinking about marginal notes recently as I’ve been reading more books on my Nook and still haven’t taken any notes on anything I’ve read there yet. At least not in the ebook itself, unlike my old, beat-up paper copy of To Kill A Mockingbird. I carry around a separate notebook and my notes on my reading have been going into that, rather than in the book, which someone else may find useful at some point in their reading.
This post is part of “How We Will Read,” an interview series exploring the future of books from the perspectives of publishers, writers, and intellectuals. Read our kickoff post with Steven Johnson here. And check out our new homepage, a captivating new way to explore Findings.
This week, we were extremely honored to speak to Internet intellectual Clay Shirky, writer, teacher, and consultant on the social and economic effects of Internet technologies. Clay is a professor at the renowned Interactive Telecommunications Program at NYU and author of two books, most recently Cognitive Surplus: Creativity and Generosity in a Connected Age.
Clay is one of the foremost minds studying the evolution of Internet culture. He is also a dedicated writer and reader, and it was natural that we would ask him to contribute to our series to hear what he could teach us about social reading. Clay is both brilliant and witty, able to weave in quotes from Robert Frost in one breath and drop a “ZOMG” in the next. So sit down and take notes: Professor Shirky’s about to speak.
How is publishing changing?
Publishing is not evolving. Publishing is going away. Because the word “publishing” means a cadre of professionals who are taking on the incredible difficulty and complexity and expense of making something public. That’s not a job anymore. That’s a button. There’s a button that says “publish,” and when you press it, it’s done.
In ye olden times of 1997, it was difficult and expensive to make things public, and it was easy and cheap to keep things private. Privacy was the default setting. We had a class of people called publishers because it took special professional skill to make words and images visible to the public. Now it doesn’t take professional skills. It doesn’t take any skills. It takes a Wordpress install.
The question isn’t what happens to publishing — the entire category has been evacuated. The question is, what are the parent professions needed around writing? Publishing isn’t one of them. Editing, we need, desperately. Fact-checking, we need. For some kinds of long-form texts, we need designers. Will we have a movie-studio kind of setup, where you have one class of cinematographers over here and another class of art directors over there, and you hire them and put them together for different projects, or is all of that stuff going to be bundled under one roof? We don’t know yet. But the publishing apparatus is gone. Even if people want a physical artifact — pipe the PDF to a printing machine. We’ve already seen it happen with newspapers and the printer. It is now, or soon, when more people will print the New York Times holding down the “print” button than buy a physical copy.
The original promise of the e-book was not a promise to the reader, it was a promise to the publisher: “We will design something that appears on a screen, but it will be as inconvenient as if it were a physical object.” This is the promise of the portable document format, where data goes to die, as well.
Institutions will try to preserve the problem for which they are the solution. Now publishers are in the business not of overcoming scarcity but of manufacturing demand. And that means that almost all innovation in creation, consumption, distribution and use of text is coming from outside the traditional publishing industry.
What is the future of reading? How can we make it more social?
One of the things that bugs me about the Kindle Fire is that for all that I didn’t like the original Kindle, one of its greatest features was that you couldn’t get your email on it. There was an old saying in the 1980s and 1990s that all applications expand to the point at which they can read email. An old geek text editor, eMacs, had added a capability to read email inside your text editor. Another sign of the end times, as if more were needed. In a way, this is happening with hardware. Everything that goes into your pocket expands until it can read email.
But a book is a “momentary stay against confusion.” This is something quoted approvingly by Nick Carr, the great scholar of digital confusion. The reading experience is so much more valuable now than it was ten years ago because it’s rarer. I remember, as a child, being bored. I grew up in a particularly boring place and so I was bored pretty frequently. But when the Internet came along it was like, “That’s it for being bored! Thank God! You’re awake at four in the morning? So are thousands of other people!”
Source: fndgs
Be crazy
I just accidentally won some tickets to see big-time author Rick Riordan. “How do you accidentally win something?” you’re undoubtedly asking me. Well, the Provo City Library was having a contest on Facebook where if you were the first person who guessed what was inside the box they posted a picture of, you’d win a very special, exciting prize. A bunch of people guessed the same thing and they were probably right and I definitely wasn’t going to be first with that answer, so I took a look at the box and thought “It’s just a regular box. It could have anything in it. What’s the most awesome thing I can imagine being in that box?”
Well, they liked my answer so much, I got a consolation prize for totally getting the answer wrong, and being awesome while doing it. And now I’ve got tickets to see Rick Riordan when he comes to Provo.
The moral of the story is: if you’re going to make a mistake, at least commit to it with a flourish.
Source: provolibrary.com
This morning, my coat was overkill. Now I’m happy I have it. (Taken with Instagram at Thanksgiving Point Frontrunner Station)
Speaking of self-censorship and vulnerability, Sherry Turkle’s latest TED talk covers this very point.
I totally understand her point because I have family members and friend I won’t name here who try to carry on a full conversation over text messages and it drives me nuts. Don’t get me wrong, I like to edit my thoughts and come off well as much as the next guy, but it’s just not the same. Give me a call or just come over and we’ll have a good chat. And I try to really focus on what’s going on in my life.
But on top of that, I’ve been reading and learning about creativity recently and one of the things the experts on the subject agree on is that real creativity depends on some degree of quiet idle time. Simply be still.
Source: ted.com




Clay is one of the foremost minds studying the evolution of Internet culture. He is also a dedicated writer and reader, and it was natural that we would ask him to contribute to our series to hear what he could teach us about social reading. Clay is both brilliant and witty, able to weave in quotes from Robert Frost in one breath and drop a “ZOMG” in the next. So sit down and take notes: Professor Shirky’s about to speak.